Rupture
2016
Subwoofers, perspex, ceramic, low beat frequency audio track.
Exhibited at MOP Projects, Sydney
This work is an exploration of the potential for Eurocentricity to become destabilised in contemporary racial conversations. I am using a plate, broken into pieces to speak to the reconfiguring of the historical consumption of the ‘Other’. These shards are placed on the red perspex discs and vibrated by a very low frequency, creating a secondary aural experience that is initially impacted by the subwoofers below. I am using very low frequencies as they require a higher level of active listening on behalf of the viewer/listener.